Sunday, April 2 at 2pm
Co-commissioned by the Newman Center, Anne Leilehua Lanzilotti and Argus Quartet present “ahupua’a,” a string quartet that addresses the Hawaiian concept of land division centered around community need. This exciting collaboration takes place with the artists and audience both seated on the stage of Gates Concert Hall. The world premiere of the piece will take place March 9 at the University of California San Diego.
About Anne Leilehua Lanzilotti:
A “leading composer-performer” (The New York Times), Lanzilotti’s “conceptually potent” work is characterized by explorations of timbre and an interest in translating everyday sounds to concert instruments using nontraditional techniques. Her musical voice is grounded in experimental practices, both through influences as part of the network of musicians / artists in the Wandelweiser collective, and her own explorations into radical indigenous contemporaneity. “Lanzilotti’s score brings us together across the world in remembrance, through the commitment of shared sonic gestures.” (Cities & Health)
As a composer, Lanzilotti has written for ensembles such as Roomful of Teeth, Argus Quartet, and Chamber Music Hawaiʻi. Her works have been performed at international festivals such as Ars Electronica (Austria), Thailand International Composition Festival, and Dots+Loops—Australia’s post-genre music and arts series. Lanzilotti is the recipient of a Native Launchpad Artist Award, National Performance Network (NPN) Creation Fund Award, McKnight Visiting Composer Residency, and 2022 First Peoples Fund Artist in Business Leadership Fellow.
Lanzilotti has collaborated with The Noguchi Museum on several commissions, writing compositions honoring Noguchi sculptures in conjunction with installations. These projects include birth, death (2017), for Noguchi’s obsidian Sounding Stones and ensemble; Postcards II: Akari (2018), for flute, viola, harp (or guitar), and fixed media based on the sounds of Akari; and beyond the accident of time (2019), for percussion and voices, inspired by Noguchi’s never-fully-realized Bell Tower for Hiroshima (1951). A new work coming this spring and presented by the City & County of Honolulu honors Noguchi’s Sky Gate, one of the most prominent sculptures on the City Civic Center grounds.
As a recording artist, Lanzilotti has played on albums from Björk’s Vulnicura Live and Joan Osborne’s Love and Hate, to Dai Fujikura’s Chance Monsoon and David Lang’s anatomy theater. Lanzilotti’s upcoming solo performance projects include Wayfinder—a new viola concerto by Dai Fujikura inspired by Polynesian wayfinding. in manus tuas—Lanzilotti’s solo viola album debut—was featured in Steve Smith’s Log Journal Playlist (Live life out Loud), Bandcamp’s Best Contemporary Classical Albums of 2019, and The Boston Globe’s Top 10 classical albums of 2019, and was called “an entrancing new album” by The New Yorker’s Alex Ross.
To reach new audiences and share contemporary music, Lanzilotti has published articles in Music & Literature and Neue Zeitschrift für Musik, and written program notes for the London Symphony Orchestra. Lanzilotti’s dissertation is an analysis of Andrew Norman’s The Companion Guide to Rome showing the influence of architecture and visual art on the work. As an extension of the research, she created Shaken Not Stuttered, a free online resource demonstrating extended techniques for strings. Lanzilotti has also worked as a producer and curator, recently as the Curator of Music at EMPAC. Upcoming publications include a contribution to Tuning Calder’s Clouds, edited by Vic Brooks and Jennifer Burris, which will be published in fall 2022 in a collaboration between EMPAC at Rensselaer, the Calder Foundation, and Athénée Press. It is the first book to explore the artistic, technological, and political intersections of Alexander Calder’s sculptural Acoustic Ceiling.
As an educator, Lanzilotti has been on the faculty at New York University, University of Northern Colorado (where she was also the director of the contemporary music ensemble), Casalmaggiore International Music Festival, and Point CounterPoint Music Festival. Lanzilotti is currently a lecturer in both Composition & Viola at the University of Hawaiʻi, Mānoa.
Dr. Lanzilotti studied at Oberlin Conservatory of Music, Yale School of Music, and Manhattan School of Music. In addition, Lanzilotti was an orchestral fellow in the Rundfunk-Sinfonieorchester Berlin and the New World Symphony. She participated in the Lucerne Festival Academy under Pierre Boulez, and was the original violist in the Lucerne Festival Alumni Ensemble. Her mentors include Hiroko Primrose, Peter Slowik, Jesse Levine, Martin Bresnick, Wilfried Strehle, Karen Ritscher, and Reiko Füting.
About Argus Quartet:
The Argus Quartet is dedicated to encouraging the joys of human connection, community, and discovery by bringing a wide-ranging repertoire to life through bold and meaningful programming and a vibrant commitment to collaboration and education. Praised for playing with “supreme melodic control and total authority” and “decided dramatic impact” (Calgary Herald), the Quartet has quickly emerged as one of today’s most dynamic and versatile ensembles, winning First Prize at both the 2017 M-Prize Chamber Arts Competition and the 2017 Concert Artists Guild Victor Elmaleh Competition.
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This program is made possible in part by: